• Mon, Mar 18 - 9:17 am ET

Girls Is Terrible, And Such Small Portions: A Hollywood Ending, Brooklyn Style

Adam holding Hannah, Girls Episode 10 Season 2 March 17, 2013

I don’t know if I was having a stress-induced hallucination last night while watching Girls (because my e-book is due like TONIGHT and I’ve been too busy piercing my eardrums with q-tips to even start it) but I think that we reached a place of semi-closure with our characters. Even after Kanye covers and ruptured eardrums and mental meltdowns and topless ping pong, we get stability? That came out of East Bumblefuck… So take that admonition as a spoiler alert, and read no further if you don’t want to kill any surprises. All of our twisted millennial Disney princesses, the dreams that they wished pretty much came true, in certain ways. And it all came out of nowhere. Like literally everyone is generally fine– Marnie, Hannah, Shoshonna, and we think Jessas alive somewhere. Because this show is what it is, and the final episode is called Together.

The episode opens on Hannah, come undone. Ears ringing, with massive writers block, googling absurd worries. “How does your body know not to stop breathing? At what age does your body start melting down?” Again, we are reminded of the burden of being in the millennial bard’s head. But the irony! She can’t even get more than a line of text down to send to her editor. David calls her on her phone—which of course has a bunny case—to tell her that he needs those pages on her spooge-tainted self-esteem. And if she doesn’t get ‘em to him like ten minutes ago, he’ll totes sue the pants off of her. Even if she hasn’t put them on in days, he’ll make her care about the loss of these pants.

But out of Hannah’s little agoraphobia pen, people are having the sexy sex! Charlie is going down on Marnie, so we know that the two of them being carnal is now a thing. Meh, what’s on the next neurotic porn channel? Ray is spoon-fucking Shoshonna in a wormlike fashion, and any libido kick we may have accidentally gotten from that cunnilingus scene was just killed. Next channel: Natalia and Adam are going at it, so we are led to believe that his quasi-rapiness last episode didn’t dead their budding relationship.Good for them?But she won’t even let him talk dirty to her, so we know that their tryst is headed for a cliff.

And let’s all remember how uncomfortably buff Hannah’s dad is for a sec. I mean, damn. For an aging professor, he’s got some John Basedow biceps.

Then Charlie and Marnie are enjoying a post oral sex brunch, when Marnie has to go getting all clingy psycho because the the writers hate her character. “We have these experiences so that we can settle down.” Then Charlie’s like “Huh?” And she’s like “We’re old fogies now. We’re dating.” And when he’s like, “Not really.” So she storms out like a grumpy hungry girl who needs attention and a boyfriend to survive. Marnie never fails in her ability to elicit idiot shivers.

Or maybe the writers don’t hate her? Because then she gives him this speech about how she wants to watch Charlie die and have his brown babies. So homegirl might be a bit disappointed when her babies come out white, because Christopher Abbott isn’t even a little bit brown. And he’s like, girl, this is what I’ve always wanted. They kiss, and he admits to having a shit ton of money. So this is her dream, and she’s like, I don’t need to be a singer, I just need to have a wealthy husband who will move me into one of those Edge condos. They can be neighbors with Thomas John! Maybe that’s where Jessa’s hiding out…

And just in case you’ve ever wondered who the owner of Café Grumpy is, it’s Colin Quinn in Moscot glasses. Ray struts back to the office to lay down the law to him. He’s going back to grad school for Latin Studies, which may be like Romulus and Remus latin, or may be Latino Studies. We’re not quite sure. But we know that it won’t bring in enough coin to keep Shoshonna outfitted in purses that look like baguettes. But great serendipity! It turns out that Quinn is opening a second Grumpy with a PIZZA Oven. So that means, like mad ‘sponsibilities and Brooklyn Heights class for Ray.

But even if he has this ambition, there are still some clear irreconcilable differences between him and Shosh. He hates ponies, rainbows and cotton candy everything that gives her floundering early twenty something existence capricious joy. She suggests him getting into therapy so he can change and they can be in love for realsies. And then Ray’s all like, “No YOU need to change. I’m a critical thinker because Latin Studies and Café Grumpy. Me and Andy Kaufman are getting’ the fuck outta dodge.” And Shosh, you’re way better off for it all. Ray was a ball and chain on your dainty little ankle, and you need to go out and slut it up. You’ve earned it.

And as Hannah unravels further, people pass in and out of her apartment. Marnie comes in, claiming to want to help, but she basically loots a menorah and leaves. Or maybe it’s just a regular candelabra, because something tells us Marnie’s not Jewish. But nevertheless, this action makes self-evident the first and only line of Hannah’s book– “A friendship between college girls is grander and more dramatic than any romance.” Because a friend break up is just like a real break up. You may grow together for a while, but before long, your lives diverge and you begin to grow apart. Then before you know it, you’re saying shitty things about each other on voicemail messages and wondering just what the two of you had in common to begin with. Only with the friend breakup, it’s actually sort of impossible to get your menorah back.

Shame Hannah, you know that Jessa isn’t gonna answer the phone. Like, she’d never listen to a voicemail, so if you want to leave a black box message for her, it’s your wasted time. And you totally forgot to download forbid, so you know you’ll just end up accidentally face-timing Adam. You can in fact can do that now, cause he has an iPhone too! If it weren’t for that technology, how would he know just how sorely you needed him? The answer is he wouldn’t. iPhones save relationships. So Adam sprints to Hannah as the music gets all Field of Dreams-y and the wrap-up montage begins.

Shoshonna is out there livin’ her life, making out with a Von Trapp child who also looks like Draco Malfoy’s twin. Marnie and Charlie stroll in connubial bliss around the meatpacking district, because he can afford to bring her out to fancy dinners with his App development riches. And Adam cradles Hannah like a child as the scene fades out. “You’re here” She squeaks, looking up at him like he was exactly what she needed to make the pain go away. He responds. “I was always here.” Dawww… Even when you can’t seem to get all of your shit together, some things fit into the right place? So everything’s fine,and people appear to have gotten what they wanted.

Well, there’s going to be more of this show so obviously not. It’s pretty unsettling how everything is just tied up with a neat little bow after we’ve been dragged through the hedges of disturbing/embarrassing events and actions from our characters. And if we’ve learned anything about any of these spoiled Gen-Y-ers, its that they will find ways to make their lives combust. Like, what happened to that book Hannah was supposed to finish? Maybe one of the main conflicts of the next season will involved the lawsuit between her and her editor, and will culminate in Hannah squatting out of an airstream trailer in Bushwick. Charlie and Marnie will be married, and already in the process of a divorce. Most likely embroiled in a custody battle over their tan babies. Shosh will have launched her own line of pastry-shaped clutch bags, and learn how to do her taxes. And obviously, we’ll find Jessa shacking up with some urban shamans living in Prospect Park. Lookin’ forward, Season 3!

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  • Emily

    “And let’s all remember how uncomfortably buff Hannah’s dad is for a sec”
    hahahaha so true, excellent recap

  • FP

    Terrible recap. Way to miss it. These weren’t happy endings at all. It was pure artifice. Despite the rom-com storytelling treatment, nothing is actually tied up, and Lena Dunham is trusting her viewers to get that. Shosh nailed her breakup but is just beginning her wild twenties. Marnie and Charlie may have gotten back together, but the point of it was to portray how people (especially young people) sometimes get together without knowing whether or not it’s right (“maybe I’m an idiot,” he says). It remains to be seen if Marnie really loves Charlie the way he loves her or if she just loves him as a symbol of the stability that’s missing in her life. And as for Hannah, oh, Hannah. Nothing is resolved. Her OCD will still be there. Her book still needs to be written. She and Adam needed each other at that moment because, as it turns out, they’re the only ones in each other’s lives who get each other, but whether or not they can forge a relationship as equals this time remains to be seen. It was temporary happiness–the way young people are more likely to get swept up in the emotions of a moment while the real problems persist–and Lena Dunham intended every ounce of it as so.

    • Arielle

      That’s great that it felt intentional to you, but it seemed like she just wanted to sweep up a bunch of story shards that seemed to be leading the characters into super dark places, and all of a sudden everything is sort of okay again. They have places to go in the third season if they want to continue on those veins, but it still felt like a quick sloppy conclusion. The rom-commy thing didn’t feel like satire, it felt sincere

    • FP

      It wasn’t satire, per se. A nod to rom-com tropes at best, but I never claimed it was satire. I meant most of the characters’ problems and then some are still there, but in that final moment, Lena threw on a layer of a (false) sense of happiness and conclusion–the way young people sometimes have a tendency to feel they’ve gotten it together or have suddenly figured it out or prematurely feel they’ve arrived at a conclusion when really they’ve retreated to bad, comfortable habits. For crying out loud, she’s portraying people in their early-mid-twenties who aren’t exactly ahead of the emotional maturity curve. The viewer knows this by now. And judging by all, er, most of the recaps, we can see that the problems for these characters haven’t actually been solved. And I agree that it “felt” sincere–and in a way, it was–but it’s more layered and complex than that; Lena and the discerning viewer must know there’s more to it than just a “sloppy conclusion.” In the context of this show, it’s sensible to conclude that it was emotional artifice in the manner that young people, who aren’t self-aware and have little to no emotional intelligence, get swept up in the surface of things.

    • Summer Fever

      I think I have to agree with FP here though all of it wasn’t apparent to me untill now. In my turbulent twenties I certainly experienced these grand moments of happiness and resolution but little did I know, I wasn’t actually any closer to happiness or having figured it out. It just felt that way in that moment and it was always inflated and it was always temporary. Those kinds of extreme emotional ups and downs that have no logical foothold are pretty commonplace when you’re young. And an awareness of that and a keen portrayal of that certainly isn’t out of place with what Lena has accomplished on this show so far.

      Maybe Lena was getting ahead of herself for thinking we’d get it. In the context of most other TV narratives, the way she directed the episode would not have justified this reading of it. But Girls is not most other narratives (Thankfully!), so maybe FP is right here.

  • brooklynwoman

    Nice recap … and I disagree with FP below: “Girls” feels like a show written by someone in her 20s who believes in her own hyperbole. It actually feels pretty typical of what my own writer friends wrote at that age (for some reason, they just weren’t offered their own HBO show). I think the audience is supposed to feel that relationships (not “love” because Lena Dunham is too sophisticated for that, lol) can save her characters. Its Lena’s version of a season finale.

    The real question I’m left with (that your article raises) is: how much did Apple pay for the iPhone product placement?

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  • haily

    I totally agree that last night’s finale wrapped up these
    storylines just a little too perfectly, but I still enjoyed watching everything
    fall into place! I’m just glad that I ended up watching the whole thing last
    night after all, since spoilers about Adam and Hannah have been making their
    way around my office at DISH all day today! I still can’t believe I almost
    missed out on this finale, thanks to my bus route home taking longer than
    usual. Luckily, I was able to put that time on the bus to use by watching the entire
    episode live with DISH Anywhere. Since this app can link my phone up to my home
    DVR’s live and recorded TV content, it’s easy for me to take my shows with me
    wherever I am. It sure made that trip home a lot more enjoyable!

  • Alexandra R.

    “But she won’t even let him talk dirty to her,”
    You can talk dirty to someone without resorting to childish insults to female sexuality like “you’re a dirty whore for liking my cock.” That sentence doesn’t even make sense. A whore is a person who likes sex with many people or gets paid for it, how is she a whore? Is he a dirty whore for liking cunt? Blahblah, this show needs a libido kick in general in the sex department, where’s the sexual creativity and fun? Too bad it’s unfortunately realistic for a lot of us…

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